ISSN: 2241-6692

Norway (Yannis Veslemes, 2014)

Issue 3, October 2015

edited by Maria Chalkou


ABOUT

Filmicon: Journal of Greek Film Studies is a bilingual (English and Greek), peer-reviewed, open-access, online journal edited primarily by independent scholars and published by ‘Eurasia Publications’, Athens. More

GUEST EDITING

Filmicon warmly welcomes proposals for guest-edited Special Issues on relevant topics provided that they follow the peer review policy of the journal. To submit proposals for guest-edited Special Issues, please check here.

OPEN CALL FOR PAPERS

Filmicon invites a variety of original contributions in either English or Greek (or in both languages): articles, book reviews, film reviews, translations, bibliographies, filmographies, interviews, conference and film festival reports that have not previously appeared in any other published form (print or online). Please note that manuscripts that are under review at any other journal or collective volume cannot be considered. Manuscripts can be submitted at any time. For Special Issues, however, specific deadlines will be announced that will run alongside Filmicon’s open call. To submit a manuscript for consideration, please check here.

ANNOUNCEMENTS

Following on from the first International Conference on Balkan Cinema that took place in Athens in 2015, Balkan Cinema on the Crossroads: From Nitrate to Digital aims to explore the trajectory of Balkan cinema from the early nitrate days to the contemporary digital era, by highlighting connections, similarities and comparable patterns across the cinemas of the region. With few exceptions, linguistic and political differences have usually led to nation-based approaches to the cinemas of the region. This series of conferences aims to develop transnational scholarship, transcend Balkanism and exoticism, and offer critical explorations of historical and contemporary manifestations of South Eastern European cinemas. The ambition is both to enlighten the past by proposing new ways of examining the region’s cinema history; and to build foundations for future cross-cultural collaborations and mutual prospects. [...]

NEWS

The Study Day, under the title “Greece in the Cinematic Turmoil. In Search of the Political Gaze in Times of Crisis?”, is organised by Evgenia Giannouri (Paris 3, IRCAV), Mélisande Leventopoulos (Paris 8, ESTCA) and Achilleas Papakonstantis (University of Lausanne). It focuses on contemporary Greek films and their regard to issues of politics. Despite the country’s current situation of economic precariousness and social unrest, the Greek political film seems to constitute an impossible genre. Yet, it used to be a major part of the New Greek Cinema of the 1970s and 1980s, whereas it represents one of the most prevalent expressions in the field of documentary. [...]

International Conference “Balkan Cinema on the Crossroads: From Nitrate to Digital”, organised by Faculty of Dramatic Arts, takes place from 11th to 13th of June, 2017 in Belgrade, Serbia in Yugoslav Cinematheque during Nitrate Film Festival .

The conference is organized with the support of: Ministry of Culture and Information of Republic of Serbia; Ministry of Education, Science and Technological Development of Republic of Serbia; Secretariat for Culture, City of Belgrade; Yugoslav Cinematheque; Film Centre Serbia and Filmkultura.

50 scholars and researchers from 17 countries (Netherlands, Romania, Serbia, UK, Greece, Austria, Hungary, Belgium, Bosnia and Herzegovina, Italy, Spain, Croatia, Turkey, Germany, USA, FYROM, Bulgaria) explore the trajectory of Balkan cinema from the early nitrate days to the contemporary digital era, by highlighting connections, similarities and comparable patterns across the cinemas of the region. As keynote speakers papers will present Giovanna Fossati, Professor of Film Heritage and Digital Film Culture at the University of Amsterdam and the Chief Curator of EYE Filmmuseum; and Dr Lydia Papadimitriou, Liverpool John Moores University. [...]

After the meetings in London (2013) and Seattle (2015), the 3rd Conference on Contemporary Greek Film Cultures addresses the diverse aesthetic, historical, medial, and theoretical connections between moving images and all possible aspects of the ‘documentary.’ In light of the many facets of this key term, the conference does not confine itself to practices or traditions of documentary cinema in Greece. It rather explores the multiple cinematic acts and modes of registering, representing, evidencing, authenticating, certifying, and instructing; it discusses the indexical nature of photography and the digital image, the factual as well as fictional functions of audio-visual recording, the archival status of documentary film in Greece, its ideologies, deceptions, and omissions, the filmic depiction of documentation processes, the documents presented on-screen or lost in the Mediterranean Sea. This thematic focus responds to three interrelated circumstances: [...]

MORE NEWS

Editorial Board

Guest Editors

Special Issue: Early Cinema in the Balkans and the Near East

Advisory Board

Dimitris Eleftheriotis
University of Glasgow

Dina Iordanova
University of St. Andrews

Vrasidas Karalis
University of Sydney

Lydia Papadimitriou
Liverpool John Moores University

Maria A. Stassinopoulou
University of Vienna

Eleftheria Thanouli
Aristotle University of Thessaloniki

Deb Verhoeven
University of Deakin