ISSN: 2241-6692

BLOG - Gender

There is no better way to explore Greek Cinema than looking into dinner and lunch times around tables in filmic representations. Taking into consideration that Greek Cinema flourished during the 1960s with the rise of the Old Greek Cinema, this article aims to investigate how people connected and evolved in relation to a piece of furniture, the table, during a period characterized by identity crisis, social and political instability, but, also, a developed cinematic phase. The table is used as a symbol for a better understanding of femininity, masculinity, gender relations, customs, values and traditions as well as a modernized lifestyle. Table rituals and food manners reveal the national traits of Greek society in this specific time period. ... More

Papakaliatis’s An…/ What If… (2012) belongs to a trend identified by Skopeteas (2005: 147) as ‘postmodernist mainstream Greek Cinema’, which involves the use of intertextual allusion (Skopeteas 2005: 129), while it is also characterized by nostalgia, identified by Tziovas (1993: 259) as one of the characteristics of Greek postmodernism. In What If… both these elements serve a conservative/reactionary ideological function, especially in the way gender relations, but also class and the Greek crisis are represented in Papakaliatis’s film. ... More